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Ryan Adams’ second dose of himself this year did something that its immediate predecessor (
Cold Roses) didn’t – it made me a true believer again. Ryan Adams’ solo career has been, for me anyway, a slow, steady loss of faith – faith in the fact that a born rock star could also be a serious artist, one of the great ones. Hitting new depths of insincerity with 2003’s two-headed misfires (
Rock N Roll, Love Is Hell), Adams has pulled together a crack team of players in The Cardinals and delivered his finest work since
Heartbreaker.
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